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One of the traditional tasks of the film avant-garde is to show what cinema is capable of when it is released from literary stories, from narration: how to interweave seemingly unrelated pictures, how to convert outer and inner spaces into a synthetic, unrealistic third cinematic space. Linda Christanell’s works are a study of such a space. In the confrontation, in its layering, the material is subjected to an endurance test.
(Stefan Grissemann)
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