lo(o)sgelöst
lo(o)sgelöst is the complex summary of the considerations of C. ANGELMAIER, DRIENDL*STEIXNER, PRINZGAU/podgorschek put onto film. ...using film as a material for building a model means necessarily foregoing the copying function, and as it were playing with the possibilities within a specific framework, contents and conditions of film itself... (DRIENDL*STEIXNER). In its execution it means a focal plane with rapid, irritating and experimental techniques and the idea of a portrait about space, art and man. A sound is based on the attempted transmission of sound vibrating from the membraneous drum...over the ossicles of the ear (malleus, incus, stapes) to the sensory inner ear separeted by a membraneous fenestrae. Parts of films such as CLIP ON DENKMAL (commercial for the protection of monuments, 1988) S.W.R./studie (color study, 1991), INOTEN (an art fragment, 1991) and many others. (PRINZGAU/podgorschek)
lo(o)sgelöst
1992
Austria
28 min
Avantgarde/Arts
No Dialogue