tx-reverse

The historical agreement is well known: we sit in the cinema and watch something made about people like us on the screen. But do the characters and cities that we observe know that we are eavesdropping? Probably not. For that reason, we can´t be certain whether we have self-willed lives or are characters in a film... That is, where does the realm of the audience end, and the one inside the screen begin? Is there a cinematographic semantic comma that marks the transition or is it fluid, more of an "and"? tx-reverse demonstrates the latter. And how? Manifestly and...