int.16/54//son01/30x1
A transformation of black and white into a glowing orange which resembles a sunrise, or the transition of a b/w film to color. At the beginning pulsing white squares conquer an abstract space, and at the end it seems we can hear the sound of waves at the sea´s edge accompanied by a symphony of gliding, circling figures. Calculated indecision between VJ minimalism and fragments of a narrative intention. Possibly a creation story in digital apparel: In the beginning darkness and light separated, then heaven and earth. Clouds gather and rain begins to fall. The soundtrack in particular offers one narrative after another; suddenly shots are fired, the sound of footsteps moving away. Soundtrack and image merge in an "audiovision" (Michel Chion), producing a number of new meanings in the head of the viewer-listener which indicate the basic dis-/associations of the audible and the visible. They are coded in the same language on the disk, and DVD players divide them along the sensory channels of ear and eye into perceptible signals the viewer´s consciousness must then put back together.
Again and again, a space is outlined, and it indicates the existence of more than just itself: an interior and an exterior, rain running down a windowpane, the lines of a horizon appearing and disappearing. All that is created within a strictly formal arrangement by means of repeated superimpositions of sounds and visual forms. A layering from the simple to the complex, in trembling lines, dancing planes, in a crackling and rumbling. This audiovisual experience lasts precisely 5 minutes and 43 seconds during which the viewer is reminded that the word "minute" is related to "minutely detailed" and "miniature", or that which is "pedantic" and "extremely exact", and this is the kind of attention one would expect of int.16/45//son01/30x1.
(Dietmar Kammerer)
The Austrian artist Lia – one of the early pioneers of Software and Net Art – has been creating digital art, installations and sound works since 1995. Her Internet works combine various traditions of drawing and painting with the aesthetic of digital images and algorithms. They are characterized by a minimalist quality, and by an affinity with conceptual art.
(Animafest Zagreb - Catalog, 2012)
As lyrical as a hardcore abstract video can be. A transformation of black-and-white into a glowing orange which resembles a sunrise, or the transition of a b/w film to colour. At the beginning, pulsing white squares conquer an abstract space and at the end it seems we can hear the sound of waves at the sea’s edge accompanied by a symphony of gliding, circling figures.
(International Film Festival Rotterdam - Catalog, 2007)
Diagonale Preis Innovatives Kino 2006 - Jury-Begründung (Award)
Jury:
Sandro Droschl (Curator "Kunstverein Medienturm", AT)
Angela Haardt (Curator for Media Art, DE)
Michael Palm (Filmmaker, Filmtheorist, AT)
int.16/45//son01/30x1 (texte français)
La fusion du son et de l'image en une « audiovision » (Michel Chion) qui déclenche sans cesse de nouvelles significations dans la tête du spectateur/auditeur, renvoie aux dissociations/associations fondamentales des évènements visuels et sonores. Codés sur le disque DVD avec le même langage, le lecteur de DVD les décompose le long des canaux sensoriels de l'ouïe et de la vue en signaux perceptibles devant être à nouveau assemblés par une conscience.
Un espace, en permanente construction, renvoie au-delà de lui-même : un intérieur et un extérieur, la pluie qui dégouline le long d'une vitre, des lignes d'horizon qui se dessinent et disparaissent. Tout cela se développant selon un agencement strictement formel, par le biais d'une superposition inlassable de sons et de formes visuelles. Une stratification du simple vers le complexe, en lignes tremblantes, surfaces dansantes, en un craquement, crépitement, bourdonnement. 5'43'' chrono, telle est la durée de cette expérience audiovisuelle pendant laquelle on est invité à se souvenir que la « minute » est parente de la « minutie » et de la « miniature », du « minuscule », très précis. Et c'est précisément cette forme d'attention qu'exige du spectateur int.16/45//son01/30x1. (Dietmar Kammerer)
Traduction: Françoise Guiguet
int.16/54//son01/30x1
2005
Austria
5 min 43 sec