even odd even

en abîme. The images Barbara Doser produces plunge into their own abyss. And into ours. We experience an uncompromising precision in both: the conditions of the material´s recording/analysis and - not synchronous but very much simultaneous - lyric movement and something indescribable which manifests itself immaterially as an interlace in the space and time of perception between
the monitor and the eye: visual maelstrom.
Hypnosis, colour perceptions, circling breath. Silence. About her work Barbara Doser said: "I make videographies; that has nothing to do with film. What we can see has been generated through feedback strategies of the equipment. The main thing is the focused center of video feedback (1:18 min), the content of which changes at an enormous rate of speed. ...the video feedback is dissected into its essential elements - into the alternating succession of even and odd fields, each of which is visible for 1/50th of a second."
In even odd even the upper and lower half frames are combined in varying sequences according to a precise grammar.
The numeric richness of the material is infinite. Even the screening strategy contributes to the production of images; a monitor is ideal: The immaterial dimensions of depth become tangible in the "after-glow". A projection alters the visual experience (the light´s direction varies: it either emanates from a surface or shines onto it).
And then there is this acoustic carpet which fuses with the visual suggestions until we hear images and see sounds.
All this can (possibly) be described with utter precision: but the pulsating en abîme-fall into our own depths of experience holds a secret that reminds us of a fragile beauty which hurts.

(Birgit Flos)

Translation: Steve Wilder


I make videopraphies; that has nothing to do with film. What we can see has been generated through feedback strategies of the equipment. The main thing is the focused center of viedeo feedback (1:18 min), the content of which changes at an enormous rate of speed. …the video feedback is dissected into its essential elements - into the alternating succession of even and odd fields, each of which is visible for 1/50th of a second. In this work, I described the "Light" itself though a light bulb. (The "Light" makes a scatter a distortion a mixture of shadows.) "Electric Egg" is another name of the light bulb, which evoked us not only industrial production, but something antique, which it´s includes crystals, artificial flower inside, besides the elements of light.

(Barbara Doser)

Orig. Title
even odd even
Year
2004 - 2004
Country
Austria
Duration
7 min 30 sec
Director
Barbara Doser
Category
Avantgarde/Arts
Orig. Language
No Dialogue
Downloads
even odd even (Image)
even odd even (Image)
Credits
Director
Barbara Doser
Sound
Hofstetter Kurt
Available Formats
Betacam SP (Distribution Copy)
Aspect Ratio
4:3
Sound Format
stereo
Frame Rate
25 fps
Color Format
b/w
DCP 2K flat (Distribution Copy)
Festivals (Selection)
2004
Hongkong – Microwave Int. Media Art Festival
Bristol - Int. Filmfestival
Weimar - back-up festival. new media in film
Hamburg - Int. Kurzfilm-Festival & No Budget
Bochumer Videofestival
Aix-en-Provence - Festival Tous Courts
Graz - Diagonale, Festival des österreichischen Films
Clermont-Ferrand – Vidéoformes
2005
Genf - Biennale of Moving Images
Seoul - EXis (Experimental Film- & Videofestival)
Madrid - Semana de Cine Experimental
Motovun - Film Festival
Ottawa - Animation Film Festival
Montréal - Festival International du Nouveau Film et de la Video
Teheran - Int Short Film Festival
Nashville Film Festival
Tampere - Film Festival
Rotterdam - Int. Filmfestival
Wien - Tricky Women / Animationsfilmfestival
Paris - Némo Festival
Zagreb - 25fps Film & Video Festival
Barcelona - Sonar Int. Festival of Advanced Music
Utrecht - Impakt Festival
2006
Athen - Synch Festival