dahlia

The third film from the plant series: Though Goldt´s images were subjected to a process of extreme abstraction, they possess a nearly tangible materiality, and this materiality is emphasized by the films´ soundtracks. The electronic music also follows a rigid minimalist organizing principle, however a separate acoustic space is not opened up: The sound serves only to pave the way for the colour, thereby underlining in an ideal way what is apparently the sole important element for the artist: the colour and its power.

(Maren Lübbke)